FEATURE
Lizzie Latham
Lizzie Latham is an artist living and teaching in London. She graduated in 2025 from an MA in Printmaking at Camberwell College of Arts.
Lizzie is the recipient of the HAUSPRINT Graduate Studio Prize 2026.
Latham’s work combines sculptural and craft techniques with printmaking and photography. Lizzie enjoys playing with prints as objects or imagining them as scenographic devices in which ideas can play out. Her practice includes etching, stone lithography and Japanese woodcut, and often involves building an image through layering.
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“Revealing the unknown is always the thing I’m interested in”
SooMin Leong’s practice focuses on the transition from one place to another, both through literal journeys and the many stages that go into making her prints. Each is a story informed by the experience and impression of travelling. We interviewed her about her own journey into printmaking.
Etching
Etching was originally invented as a method for adding decoration to armour during the Middle Ages. Artists began to use metal plates for printing in the 15th century, when Albrecht Durer made work on iron plates. Later artists such as Andrea Mantegna in Italy and Rembrandt in Holland went on to make etchings on copper.