Courses & events
Book now for one of our courses to start a new journey in printmaking and being creative.
Contact Michelle to enrol for any two of our short courses with a 5% discount, or to ask any questions.
Courses & events
Book now for one of our courses to start a new journey in printmaking and being creative.
Contact Michelle to enrol for any two of our short courses with a 5% discount, or to ask any questions.
Exploring Monotype | 8 evenings | October- December 2026
Find out about different ways to make monotypes, and have some fun developing your ideas, with artist Michelle Avison.
Rethinking Sketchbooks | 1 day | Saturday 21 November 2026
Rethink your sketchbook practice! This fun one-day course is designed to free you from the habit of seeing sketchbooks as just repositories for your drawing.
Etching with Copper | 4 Wednesday evenings | Feb 2027
Join our four week course to learn the basics of etching on copper, using hard ground, soft ground and aquatint.
Monotype Study Day: Using water washable inks | 1 Sunday | February 2027
Explore monotype printing at HAUSPRINT. This course is designed to give you a really good understanding of using water washable, less toxic printing inks to make painterly monotypes.
HAUSPRINT Etching Year | 40 weeks | Monday evenings| October 2027
The HAUSPRINT Etching Year is a unique opportunity to learn printmaking skills over one year. This etching course is designed to teach you the essentials of etching, to introduce new techniques and help you build and develop your work, whatever your starting point.
“It’s like my own morse code, my own shorthand.”
From writing poetry on the underground to interpreting nightmares in drawing, Chris Christodoulou discusses his practice with Sarah Gillett in parallel with his 2019 exhibition, Home.
Lizzie Latham
Lizzie Latham is an artist living and teaching in London. She graduated in 2025 from an MA in Printmaking at Camberwell College of Arts.
Lizzie is the recipient of the HAUSPRINT Graduate Studio Prize 2026.
On Siss / Phuss: Ziqi Xu in conversation with Livia Wang
“It’s all because I want to see myself, I want to see those unnoticed moments, how they pass by, what is really happening. So that makes the work very personal.”