Peripheral Vision
Lucy Annan’s prints explore what is on and beyond the the edge of the block or plate, the areas that are in your peripheral vision. They work up to, or blur the edge, they introduce half discernible shapes beyond.
Lucy Annan’s prints explore what is on and beyond the the edge of the block or plate, the areas that are in your peripheral vision. They work up to, or blur the edge, they introduce half discernible shapes beyond.
Kristen Nelson’s prints and photographs explore memory. A feeling of nostalgia and visual references to a remembered landscape connect with home. Using aquatint, a painterly, tonal technique and black and white photography, Nelson’s work illuminates the idea of returning home through the interplay between light and shadow.
Lucy Annan’s prints explore what is on and beyond the the edge of the block or plate, the areas that are in your peripheral vision. They work up to, or blur the edge, they introduce half discernible shapes beyond.
An exhibition of monoprints. A mark feels like a letter in the landscape of encoded things. It is an archaeology of feeling and locating through the process of making.
End of year exhibition celebrating the end of our HAUSPRINT Etching Year 2024.
An exhibition of etchings and drawings by Ziqi Xu explores the fundamental question “Who am I?”
An exhibition of prints and animations by illustrator, filmmaker and printmaker, Mia Thompson. Mia has worked in monotype and etching, and the exhibition includes a selection of her stop motion animations.
James Anderson’s exhibition is named after a line from the poem Snow by Louis MacNeice: “World is crazier and more of it than we think, …incorrigibly plural …The drunkenness of things being various.”
An exhibition of relief prints and stop motion animations by Claire Willberg made in response to objects at the Discover Bucks Museum.
This exhibition is a glimpse into Michelle Avison’s sustained practice in observational drawing.
An exhibition of linocut prints from Trinidadian printmaker Lee Johnson.
An exhibition of linocuts from Trinidadian artist Lee Johnson, exploring the lush vegetation and rich folklore of inland Trinidad and Jamaica.
Learn how to mix white ground, ways of using the permeable ground, and how to etch and print your plates for great results. The class is suitable for you if you have done some etching before.
An introduction to linocut relief printing, or as a short course to refresh your skills if you have done some linocut before.
The Jigsaw woodcut course will take you on a journey from the basics of jigsaw woodcut through to advanced prints using multiple layers of jigsaw blocks.
In this podcast episode released by Fermynwoods Contemporary Art, Sarah Gillett talks about her research on how astronauts dream, the promise of future seances, and the joy of collaboration.
“When I’m sitting in a ballet rehearsal I don’t have access to a table or any printing things so I have to make the monoprints from sketches when I get home. There’s a lot of bodies, there’s a lot of faces, a lot of movement.”
In this video presentation, Helen talks about the different ways in which she explores the world around her through drawing, painting and printmaking, including looking at dancers in rehearsal, the natural environment and portraiture.