End of year exhibition celebrating the end of our HAUSPRINT Etching Year 2024.
An exhibition of etchings and drawings by Ziqi Xu explores the fundamental question “Who am I?”
James Anderson’s exhibition is named after a line from the poem Snow by Louis MacNeice: “World is crazier and more of it than we think, …incorrigibly plural …The drunkenness of things being various.”
An exhibition of prints and animations by illustrator, filmmaker and printmaker, Mia Thompson. Mia has worked in monotype and etching, and the exhibition includes a selection of her stop motion animations.
An exhibition of relief prints and stop motion animations by Claire Willberg made in response to objects at the Discover Bucks Museum.
This exhibition is a glimpse into Michelle Avison’s sustained practice in observational drawing.
An exhibition of linocut prints from Trinidadian printmaker Lee Johnson.
An exhibition of linocuts from Trinidadian artist Lee Johnson, exploring the lush vegetation and rich folklore of inland Trinidad and Jamaica.
This Monday evening class is a unique opportunity to build your etching skills over the course of a year. The HAUSPRINT Etching Year is designed to provide stable building blocks for your printmaking future, whatever your starting point. Over 40 weeks you’ll be guided through a specialist programme delivered over three terms which teaches the principles of etching.
Explore carborundum plate making and printing techniques over 4 consecutive days. Working on acrylic plates you will learn how to use carborundum grit and painting mediums to achieve painterly, textural marks, resulting in rich, vibrant prints.
Explore monotype printing over three mornings at HAUSPRINT. This course is designed to give you a really good understanding of using water washable printing inks to make painterly monotypes.
“It’s all because I want to see myself, I want to see those unnoticed moments, how they pass by, what is really happening. So that makes the work very personal.”
In May 2024 we ran a Crowdfunder appeal to raise £10,000 for two new presses and improvements to the studio. We are thrilled to say that we exceeded our target with donations of over £11,500.
From her inspirations to struggling to find a place to draw, Michelle takes us through a chronological history of her work, and how she learned to embrace the practice of looking in this video presentation.
