EXHIBITION

That girl has no new ideas
An exhibition of prints and animations by illustrator, filmmaker and printmaker, Mia Thompson. Mia has worked in monotype and etching, and the exhibition includes a selection of her stop motion animations.
The exhibition is a visual record, a diary of sorts, of Mia’s incredible journey away from crippling artistic silence. “About a year ago, I found that I’d lost part of myself…it was really scary” she said. This exhibition documents the pathways to her recovery from that sense of loss.
Unsurprisingly, the focus of the art – raw, unrestrained, nakedly honest – is entirely autobiographical. This is Mia making art about, and as a result, of being Mia. The prints externalise the artist’s private, intimate conversations with herself…her own “monologue interieur”.
They’re visualisations of feeling and thought.
The result is work that is both memoir and catharsis. For each print offers a double-sided perspective: both an image of agony remembered and a statement of joy rediscovered…the joy of an artist finding her ‘voice’ once again.
The question that always arises with an exhibition such as this one, is whether the work is purely esoteric and self-centred, or whether viewers will see in her images, reflections of themselves.
One way to find out.






More for you to explore...
Siss / Phuss
An exhibition of etchings and drawings by Ziqi Xu explores the fundamental question “Who am I?”
Etching: Aquatint | 3 Tuesday evenings | Nov & Dec 2024
Across three evenings, explore the magical properties of aquatint to create prints with a range of tones from light to dark. Whatever your inspiration, from ocean to architecture, nature to grafitti, learn how aquatint can be used for exciting results.
More Exhibitions
All exhibitionsThe light sees the paper
Kristen Nelson’s prints and photographs explore memory. A feeling of nostalgia and visual references to a remembered landscape connect with home. Using aquatint, a painterly, tonal technique and black and white photography, Nelson’s work illuminates the idea of returning home through the interplay between light and shadow.
To carry a feeling
An exhibition of monoprints. A mark feels like a letter in the landscape of encoded things. It is an archaeology of feeling and locating through the process of making.
Peripheral Vision
Lucy Annan’s prints explore what is on and beyond the the edge of the block or plate, the areas that are in your peripheral vision. They work up to, or blur the edge, they introduce half discernible shapes beyond.