An exhibition of collagraph relief monoprints, paintings and drawings exploring the expressive potential of abstracted forms derived from contemporary life, considered
in the light of Early Modernism.
Lucy Annan explores what is on and beyond “the edge”, the things in our peripheral vision. She works up to and blurs the edges of blocks and plates, suggesting half discernible shapes just out of reach.
An exhibition of monoprints. A mark feels like a letter in the landscape of encoded things. It is an archaeology of feeling and locating through the process of making.
End of year exhibition celebrating the end of our HAUSPRINT Etching Year 2024.
An exhibition of etchings and drawings by Ziqi Xu explores the fundamental question “Who am I?”
An exhibition of prints and animations by illustrator, filmmaker and printmaker, Mia Thompson. Mia has worked in monotype and etching, and the exhibition includes a selection of her stop motion animations.
James Anderson’s exhibition is named after a line from the poem Snow by Louis MacNeice: “World is crazier and more of it than we think, …incorrigibly plural …The drunkenness of things being various.”
An exhibition of relief prints and stop motion animations by Claire Willberg made in response to objects at the Discover Bucks Museum.
This exhibition is a glimpse into Michelle Avison’s sustained practice in observational drawing.
An exhibition of linocut prints from Trinidadian printmaker Lee Johnson.
An exhibition of linocuts from Trinidadian artist Lee Johnson, exploring the lush vegetation and rich folklore of inland Trinidad and Jamaica.
Experiment with different aquatint techniques including sugar lift, monoprint resist and spit bite to achieve a range of painterly tones in etching. This class is suitable for new or experienced etchers.
Learn how to mix white ground, ways of using the permeable ground, and how to etch and print your plates for great results. The class is suitable for you if you have done some etching before.
Try out an experimental approach to aquatint, working both from white to black and removing black to achieve grey to white. Experiment with different resists, including crayon, stop-out and marker pens. This class is suitable for new or experienced etchers.
“I felt like I was in multiple spaces at the same time – the studio, my source material, my paintings – and I really lost myself in the process of making. I had this epiphany that if I inhabited my paintings long enough then the experience of looking at them would contain the dysphoria I felt, because that’s how art works, it’s a sort of a mirror.”
In this podcast episode released by Fermynwoods Contemporary Art, Sarah Gillett talks about her research on how astronauts dream, the promise of future seances, and the joy of collaboration.
Artist Lucy Annan discusses architecture, light and discarded objects in her exhibition Peripheral Vision at HAUSPRINT with fellow artist Chris Christodoulou.
