An exhibition of collagraph relief monoprints, paintings and drawings exploring the expressive potential of abstracted forms derived from contemporary life, considered
in the light of Early Modernism.
Lucy Annan explores what is on and beyond “the edge”, the things in our peripheral vision. She works up to and blurs the edges of blocks and plates, suggesting half discernible shapes just out of reach.
An exhibition of monoprints. A mark feels like a letter in the landscape of encoded things. It is an archaeology of feeling and locating through the process of making.
End of year exhibition celebrating the end of our HAUSPRINT Etching Year 2024.
An exhibition of etchings and drawings by Ziqi Xu explores the fundamental question “Who am I?”
An exhibition of prints and animations by illustrator, filmmaker and printmaker, Mia Thompson. Mia has worked in monotype and etching, and the exhibition includes a selection of her stop motion animations.
James Anderson’s exhibition is named after a line from the poem Snow by Louis MacNeice: “World is crazier and more of it than we think, …incorrigibly plural …The drunkenness of things being various.”
An exhibition of relief prints and stop motion animations by Claire Willberg made in response to objects at the Discover Bucks Museum.
This exhibition is a glimpse into Michelle Avison’s sustained practice in observational drawing.
An exhibition of linocut prints from Trinidadian printmaker Lee Johnson.
An exhibition of linocuts from Trinidadian artist Lee Johnson, exploring the lush vegetation and rich folklore of inland Trinidad and Jamaica.
Experiment with different aquatint techniques including sugar lift, monoprint resist and spit bite to achieve a range of painterly tones in etching. This class is suitable for new or experienced etchers.
A short introduction to Trace Monotype with artist Michelle Avison. Learn how to use monotype to make a first print using line, and how to print the reverse image or ‘offset’.
Use plants, seeds and fruits to draw from.
Try out an experimental approach to aquatint, working both from white to black and removing black to achieve grey to white. Experiment with different resists, including crayon, stop-out and marker pens. This class is suitable for new or experienced etchers.
Following a previous career as a forensic psychiatrist, James Anderson’s colourful carborundum and layered woodcuts convey the emotion of inner worlds. We discuss abstraction, inspiration and the hard work of practice with him.
“It’s all because I want to see myself, I want to see those unnoticed moments, how they pass by, what is really happening. So that makes the work very personal.”
Artist Lucy Annan discusses architecture, light and discarded objects in her exhibition Peripheral Vision at HAUSPRINT with fellow artist Chris Christodoulou.
