Courses & events
Book now for our HAUSPRINT Etching Year and start a new journey in printmaking!
Scroll down to see our upcoming courses and events.
Courses & events
Book now for our HAUSPRINT Etching Year and start a new journey in printmaking!
Scroll down to see our upcoming courses and events.
Etching Year | 40 weeks | Mondays | June 2024
This Monday evening class is a unique opportunity to build your etching skills over the course of a year. The HAUSPRINT Etching Year is designed to provide stable building blocks for your printmaking future, whatever your starting point. Over 40 weeks you’ll be guided through a specialist programme delivered over three terms which teaches the principles of etching.
Guerilla Artists: Drawing & Drypoint | 4 alternate Sundays | June 2024
Find unique ways to express yourself, with an exciting combination of external drawing trips and working in the print studio.
Monotype with water washable inks | 3 Saturdays | June 2024
Explore monotype printing over three mornings at HAUSPRINT. This course is designed to give you a really good understanding of using water washable printing inks to make painterly monotypes.
Etching: Aquatint | 3 Tuesday evenings | Nov & Dec 2024
Across three evenings, explore the magical properties of aquatint to create prints with a range of tones from light to dark. Whatever your inspiration, from ocean to architecture, nature to grafitti, learn how aquatint can be used for exciting results.
Etching: Hard Ground | 3 Tuesday evenings | October 2024
Whether you are looking for a greater understanding of the hard ground technique or are a complete beginner to etching, you will come out of this three evening course with new skills and unique prints.
Etching: Soft Ground | 3 Tuesday evenings | Oct & Nov 2024
For those wanting to explore etching but feel the pressure of drawing, our three evening course investigates texture, pattern and mark-making through soft ground.
Carborundum | 8 Tuesday evenings | June-July 2024
Explore carborundum plate making and printing techniques over eight weeks. Working on acrylic plates you will learn how to use carborundum grit and painting mediums to achieve painterly, textural marks, resulting in rich, vibrant prints.
On Siss / Phuss: Ziqi Xu in conversation with Livia Wang
“It’s all because I want to see myself, I want to see those unnoticed moments, how they pass by, what is really happening. So that makes the work very personal.”
Crowdfunder appeal – we need your help
We are crowdfunding to raise the money to invest in two new etching presses.
We are asking everyone who has ever been to the studio, bought a print, taken a class, or enjoyed an exhibition opening to support our work going forwards – and to share our appeal with anyone you think might help!
“Revealing the unknown is always the thing I’m interested in”
SooMin Leong’s practice focuses on the transition from one place to another, both through literal journeys and the many stages that go into making her prints. Each is a story informed by the experience and impression of travelling. We interviewed her about her own journey into printmaking.