Artist Chris Christodoulou grapples with the complexities of life in his epic drawing series Odyssey.
Artist Lucy Annan discusses architecture, light and discarded objects in her exhibition Peripheral Vision at HAUSPRINT with fellow artist Chris Christodoulou.
Artist Sarah Praill discusses the ideas and archeology behind her exhibition “To carry a feeling” at HAUSPRINT.
“I felt like I was in multiple spaces at the same time – the studio, my source material, my paintings – and I really lost myself in the process of making. I had this epiphany that if I inhabited my paintings long enough then the experience of looking at them would contain the dysphoria I felt, because that’s how art works, it’s a sort of a mirror.”
“It’s all because I want to see myself, I want to see those unnoticed moments, how they pass by, what is really happening. So that makes the work very personal.”
“I love drawing really quickly. I love drawing in really difficult situations. I love drawing in the dark. I like what happens when you can’t see everything or when it’s passed and you have to remember it rather than drawing what it actually looks like, so it’s about the experience of looking as much as what I’m looking at.”
We talk to Michelle Avison about building a resilient artistic practice over 30 years.
SooMin Leong’s practice focuses on the transition from one place to another, both through literal journeys and the many stages that go into making her prints. Each is a story informed by the experience and impression of travelling. We interviewed her about her own journey into printmaking.
From her inspirations to struggling to find a place to draw, Michelle takes us through a chronological history of her work, and how she learned to embrace the practice of looking in this video presentation.
Following a previous career as a forensic psychiatrist, James Anderson’s colourful carborundum and layered woodcuts convey the emotion of inner worlds. We discuss abstraction, inspiration and the hard work of practice with him.
Eleanor grapples with her attraction to decorative interiors, finding beauty in pattern, object and light, in this video presentation.
“When I’m sitting in a ballet rehearsal I don’t have access to a table or any printing things so I have to make the monoprints from sketches when I get home. There’s a lot of bodies, there’s a lot of faces, a lot of movement.”
In this podcast episode released by Fermynwoods Contemporary Art, Sarah Gillett talks about her research on how astronauts dream, the promise of future seances, and the joy of collaboration.
In this video presentation, Helen talks about the different ways in which she explores the world around her through drawing, painting and printmaking, including looking at dancers in rehearsal, the natural environment and portraiture.
In this video presentation, SooMin discusses her practice, the importance of landscape in her images and how walking can change how we experience the world.
Experiment with different aquatint techniques including sugar lift, monoprint resist and spit bite to achieve a range of painterly tones in etching. This class is suitable for new or experienced etchers.
Learn how to mix white ground, ways of using the permeable ground, and how to etch and print your plates for great results. The class is suitable for you if you have done some etching before.
Try out an experimental approach to aquatint, working both from white to black and removing black to achieve grey to white. Experiment with different resists, including crayon, stop-out and marker pens. This class is suitable for new or experienced etchers.
