FEATURE

Etching

Etching was originally invented as a method for adding decoration to armour during the Middle Ages. Artists began to use metal plates for printing in the 15th century, when Albrecht Durer made work on iron plates. Later artists such as Andrea Mantegna in Italy and Rembrandt in Holland went on to make etchings on copper.

TECHNIQUE

Etching

Etching was originally invented as a method for adding decoration to armour during the Middle Ages. Artists began to use metal plates for printing in the 15th century, when Albrecht Durer made work on iron plates. Later artists such as Andrea Mantegna in Italy and Rembrandt in Holland went on to make etchings on copper.

Traditionally a metal plate, usually copper or zinc, is coated with an acid-resistant material called ground. Using a sharp needle, lines are made through the ground, revealing the plate beneath. The plate is immersed in a dilute acid bath and the acid etches the plate where it has been revealed, making grooves in the surface of the plate which will then hold ink.

Apart from this traditional approach, there are many other ways of preventing the acid from ‘biting’ the plate, using varnishes, sticky tape or spray paint to provide resistance to the acid. Aquatint, spit bite, sugar lift and white ground techniques allow more painterly marks.

The endless possibility of this technique is the really exciting thing about etching.

Learn more about Etching

Etching: Hard Ground | 3 Tuesday evenings | October 2024

Whether you are looking for a greater understanding of the hard ground technique or are a complete beginner to etching, you will come out of this three evening course with new skills and unique prints.

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Etching Year 2 (Intermediate & Advanced)| 40 weeks | Monday evenings | September 2025

The year will focus on consolidating your etching knowledge, on developing ideas, and on ways to bring ideas and technique together. There will be group discussion, group crit and one-to-one tutorial opportunities which will focus on how to develop your work.

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Artist talk: Sarah Gillett

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Woodcut

Knives, gouges and other tools are used to carve an image into a block of wood. Ink is applied using a roller; the cut away areas do not pick up ink as they are below the surface. Paper is placed on top and is printed with a press or by hand.

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Incredibly dark and incredibly light

“When I’m sitting in a ballet rehearsal I don’t have access to a table or any printing things so I have to make the monoprints from sketches when I get home. There’s a lot of bodies, there’s a lot of faces, a lot of movement.”

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Helen Breach

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