FEATURE

Hard ground

A traditional technique in etching. After degreasing the surface of the plate, hard ground is rolled over the surface.

TECHNIQUE

Hard ground

A traditional technique in etching. After degreasing the surface of the plate, hard ground is rolled over the surface.

Hard ground is made of a mixture of asphaltum, resin and beeswax. It is used to coat the surface of the etching plate, and is resistant to acid. The ground is softened and spread in a thin layer onto copper, zinc or steel. The ground is heated on a hot plate, and can be rolled or dabbed across the surface to make an even coating.

An etching needle is traditionally used to draw into hard ground, revealing a fine thin line, but other ways to make marks include abrading or scratching with non-traditional tools like drill bits or wire wool. Hard ground can also be wiped away or painted with different solvents for more organic shapes.

More printmaking techniques

Drypoint

Using a sharp pointed tool like an etching needle, an image is scratched into a flat polished sheet of metal such as copper or aluminium. Plastic or card can also be used.

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Carborundum

Abrasive carborundum grit (silicon carbide) is mixed with acrylic medium or glue and painted onto a flat surface, such as plastic or metal.

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Lithography

An image is painted, drawn or stencilled onto a slab of limestone or a metal plate (often aluminium) with oily materials, including greasy crayons and pencils, special ink called tusche, and photochemical transfers.

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Drypoint

Using a sharp pointed tool like an etching needle, an image is scratched into a flat polished sheet of metal such as copper or aluminium. Plastic or card can also be used.

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