FEATURE
Carborundum
Abrasive carborundum grit (silicon carbide) is mixed with acrylic medium or glue and painted onto a flat surface, such as plastic or metal.
TECHNIQUE
Carborundum
Abrasive carborundum grit (silicon carbide) is mixed with acrylic medium or glue and painted onto a flat surface, such as plastic or metal.
The marks can be very painterly, thick and very textured or thinned with water to make more washy marks. Once dried, the carborundum and glue mixture forms areas of texture that can be inked intaglio. Other acrylic mediums and texture pastes can be used.
The advantage of carborundum plates is they are relatively cheap to make, so good if you want to work larger. In some etching techniques, the colour changes as you wipe the plate. This doesn’t happen with carborundum plates, so they are brilliant for printing bright, clean colour.
More printmaking techniques
Lithography
An image is painted, drawn or stencilled onto a slab of limestone or a metal plate (often aluminium) with oily materials, including greasy crayons and pencils, special ink called tusche, and photochemical transfers.
More Features
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Artist Lucy Annan discusses architecture, light and discarded objects in her exhibition Peripheral Vision at HAUSPRINT with fellow artist Chris Christodoulou.
Soft ground
Soft ground was invented in the latter half of the eighteenth century as a means of reproducing the grainy qualities of chalk work. It was first used in England by Gainsborough and artists of the Norwich School.
Artist talk: Helen Breach
In this video presentation, Helen talks about the different ways in which she explores the world around her through drawing, painting and printmaking, including looking at dancers in rehearsal, the natural environment and portraiture.


