Wood cutting
FEATURE
Woodcut
Knives, gouges and other tools are used to carve an image into a block of wood. Ink is applied using a roller; the cut away areas do not pick up ink as they are below the surface. Paper is placed on top and is printed with a press or by hand.
TECHNIQUE
Woodcut
Knives, gouges and other tools are used to carve an image into a block of wood. Ink is applied using a roller; the cut away areas do not pick up ink as they are below the surface. Paper is placed on top and is printed with a press or by hand.
Because the wood is cut along the grain (compared to woodblock, where the wood is cut across the grain), marks can be difficult to cut, resulting in rough, sometimes splintery-looking prints. Depending on the wood chosen, it is possible to have more, or less of this effect.
In the history of woodcuts, fruitwoods were popular in Japan and Europe. Albrecht Dürer used pear for his masterful woodcuts. Hardwoods like pear, cherry, maple, birch, beech and walnut hold fine lines when carved, and maintain their detail after repeated printings.
Softwoods such as pine and poplar can also be used for relief printing but it is more difficult to achieve fine lines and a large number of prints, as the softer wood is more fragile.
More printmaking techniques
Lithography
An image is painted, drawn or stencilled onto a slab of limestone or a metal plate (often aluminium) with oily materials, including greasy crayons and pencils, special ink called tusche, and photochemical transfers.
Carborundum
Abrasive carborundum grit (silicon carbide) is mixed with acrylic medium or glue and painted onto a flat surface, such as plastic or metal.
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With a lot of help from you – our 2024 Crowdfunder story
In May 2024 we ran a Crowdfunder appeal to raise £10,000 for two new presses and improvements to the studio. We are thrilled to say that we exceeded our target with donations of over £11,500.
Incredibly dark and incredibly light
“When I’m sitting in a ballet rehearsal I don’t have access to a table or any printing things so I have to make the monoprints from sketches when I get home. There’s a lot of bodies, there’s a lot of faces, a lot of movement.”
