FEATURE
Lithography
An image is painted, drawn or stencilled onto a slab of limestone or a metal plate (often aluminium) with oily materials, including greasy crayons and pencils, special ink called tusche, and photochemical transfers.
TECHNIQUE
Lithography
An image is painted, drawn or stencilled onto a slab of limestone or a metal plate (often aluminium) with oily materials, including greasy crayons and pencils, special ink called tusche, and photochemical transfers.
The image is treated with gum arabic and nitric acid to fix the image areas from the non-printing areas.
When inking up the stone or metal with a roller, the surface is kept wet, so that the oil-based ink only sticks to the image area. Paper is then placed down and the stone or plate is run through a press.
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“Revealing the unknown is always the thing I’m interested in”
SooMin Leong’s practice focuses on the transition from one place to another, both through literal journeys and the many stages that go into making her prints. Each is a story informed by the experience and impression of travelling. We interviewed her about her own journey into printmaking.
Carborundum
Abrasive carborundum grit (silicon carbide) is mixed with acrylic medium or glue and painted onto a flat surface, such as plastic or metal.