FEATURE

Soft ground

Soft ground was invented in the latter half of the eighteenth century as a means of reproducing the grainy qualities of chalk work. It was first used in England by Gainsborough and artists of the Norwich School.

TECHNIQUE

Soft ground

Soft ground was invented in the latter half of the eighteenth century as a means of reproducing the grainy qualities of chalk work. It was first used in England by Gainsborough and artists of the Norwich School.

Mixing hard ground with tallow, petroleum jelly, or lard makes soft ground. Because of the added grease the ground never hardens so lines, objects and textures can be easily impressed into it.

Soft ground is a great way into printmaking if you like textures and patterns, or want to recreate a pencil drawing effect. It can be used with other etching techniques on the same plate to achieve different layered effects.

more printmaking techniques

Aquatint

Fine resin dust is applied to the surface of the etching plate, then melted from underneath to melt and harden the dots of resin. When immersed in acid the plate ‘bites’ between the aquatint resin dots, creating a distribution of tiny holes on the plate which print as a tone.

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Carborundum

Abrasive carborundum grit (silicon carbide) is mixed with acrylic medium or glue and painted onto a flat surface, such as plastic or metal.

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Linocut

In this relief printing process, an image is carved or etched into a sheet of linoleum. Ink is applied to the lino using a roller; the cut-away areas do not pick up ink. Paper is placed down onto the image and either printed on a press or printed by hand.

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More Features

All features

Monotype

Monotype is a way of making a unique print that cannot be repeated. Using methods from painting and drawing, ink is applied to a surface, and marks can be added or taken away from the surface.

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Incredibly dark and incredibly light

“When I’m sitting in a ballet rehearsal I don’t have access to a table or any printing things so I have to make the monoprints from sketches when I get home. There’s a lot of bodies, there’s a lot of faces, a lot of movement.”

Artist:
Helen Breach

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Aquatint

Fine resin dust is applied to the surface of the etching plate, then melted from underneath to melt and harden the dots of resin. When immersed in acid the plate ‘bites’ between the aquatint resin dots, creating a distribution of tiny holes on the plate which print as a tone.

See more

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