Courses & events
Book now for one of our short courses and start a new journey in printmaking!
We have lots of short courses and taster classes coming up, and if you are looking for something longer you might like to look at our HAUSPRINT Etching Year starting in October 2026.
Contact Michelle to enrol for any two of our short courses with a 5% discount.
Courses & events
Book now for one of our short courses and start a new journey in printmaking!
We have lots of short courses and taster classes coming up, and if you are looking for something longer you might like to look at our HAUSPRINT Etching Year starting in October 2026.
Contact Michelle to enrol for any two of our short courses with a 5% discount.
Monotype Study Day: Using water washable inks | 1 Sunday | February 2027
Explore monotype printing at HAUSPRINT. This course is designed to give you a really good understanding of using water washable, less toxic printing inks to make painterly monotypes.
Etching Year Taster| 1 morning| Saturday| June 2026
A 2 hour taster session to make a print and find out about our HAUSPRINT Etching Year.
Linocut | 4 Days | August 2026
The Linocut course will take you on a journey from the basics of linocut through to more advanced prints using multiple layers of jigsaw blocks. The course is suitable for beginners or more experienced printmakers.
HAUSPRINT Etching Year | 40 weeks | Monday evenings| October 2026
The HAUSPRINT Etching Year is a unique opportunity to build your printmaking skills over the course of a year- it is designed to provide stable building blocks for your printmaking future, whatever your starting point.
Artist talk: SooMin Leong
In this video presentation, SooMin discusses her practice, the importance of landscape in her images and how walking can change how we experience the world.
Collecting the Looking
“I love drawing really quickly. I love drawing in really difficult situations. I love drawing in the dark. I like what happens when you can’t see everything or when it’s passed and you have to remember it rather than drawing what it actually looks like, so it’s about the experience of looking as much as what I’m looking at.”
We talk to Michelle Avison about building a resilient artistic practice over 30 years.