FEATURE
Soft ground
Soft ground was invented in the latter half of the eighteenth century as a means of reproducing the grainy qualities of chalk work. It was first used in England by Gainsborough and artists of the Norwich School.
TECHNIQUE
Soft ground
Soft ground was invented in the latter half of the eighteenth century as a means of reproducing the grainy qualities of chalk work. It was first used in England by Gainsborough and artists of the Norwich School.
Mixing hard ground with tallow, petroleum jelly, or lard makes soft ground. Because of the added grease the ground never hardens so lines, objects and textures can be easily impressed into it.
Soft ground is a great way into printmaking if you like textures and patterns, or want to recreate a pencil drawing effect. It can be used with other etching techniques on the same plate to achieve different layered effects.
more printmaking techniques
Carborundum
Abrasive carborundum grit (silicon carbide) is mixed with acrylic medium or glue and painted onto a flat surface, such as plastic or metal.
More Features
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“I would quite like a bit of a shout now.”
Artist Sarah Praill discusses the ideas and archeology behind her exhibition “To carry a feeling” at HAUSPRINT.
Lithography
An image is painted, drawn or stencilled onto a slab of limestone or a metal plate (often aluminium) with oily materials, including greasy crayons and pencils, special ink called tusche, and photochemical transfers.
HAUSPRINT collective at Spike Island Print Fair
So proud of our current Etching Year artists who are in Bristol this weekend at the Spike Island Print Fair. Seamlessly installing their work together this afternoon and getting ready for the PV tonight, Friday, and a weekend of talking to visitors, and hopefully selling some prints. These artists are just finishing their 2nd Etching […]